Guitar (Arrangements)

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  • Before Your Manger, Here I Stand / Ich steh an deiner Krippen hier

    $25.00     Add to cart

    https://musicblog.gregscheer.com/before_your_manger.mp3

    Looking for a Christmas piece that’s a little off the beaten path? This beloved German Christmas carol has been newly translated and arranged. The choir parts are not at all difficult, and the anthem can be accompanied by piano alone. However, if you do have flute, recorder, guitar, or strings available, the music becomes absolutely exquisite.

    Anthem for SATB choir, flute, recorder, classical guitar, and strings. Download includes score and parts; purchase price allows you to print as many copies as you need for your ensemble.

  • Mary’s Song (Our King of Peace)

    $0.00 – $35.00     Select options
    [audio mp3="https://gregscheer.com/wp-content/uploads/2019/11/marys_song.mp3"][/audio]

    Wendell Kimbrough’s setting of Mary’s Song captures the wonder, fear, and obedience of Mary’s response to Gabriel’s message. The song is a perfect fit for Advent, Christmas, and Lessons and Carols services. The choral arrangement places the choir alongside folk instruments, which is a lovely marriage for those who lead blended worship.

  • Take My Life and Let It Be

    $0.00 – $25.00     Select options
    [audio mp3="https://gregscheer.com/wp-content/uploads/2023/10/gsm-take_my_life-piano_strings.mp3"][/audio]

    The beloved hymn of dedication, “Take My Life and Let It Be,” puts on its Sunday best, with a piano and string arrangement that gives it energy and class, but never detracts from the melody and message. It was commissioned by Church of the Incarnation in Dallas, under the direction of Wendell Kimbrough.

  • The First Nowell

    $20.00     Select options
    [audio mp3="https://gregscheer.com/wp-content/uploads/2019/09/scheer-the_first_nowell.mp3"][/audio]

    “The First Nowell” is the quintessential Christmas carol and a classic folk tune, but too many arrangements fetter the flowing melody with four-part harmony. My approach is simple: let the melody sing itself and support it with an accompaniment that keeps things moving forward. After a brief string intro, it starts small–just guitar and solo voice–and then builds momentum over the song’s 6 verses.

Showing all 4 results