Gospel/Jazz

Showing 13–21 of 21 results

  • Psalm 141: O Lord, I Call to You, Please Hear Me

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    https://musicblog.gregscheer.com/wp-content/uploads/Psalm-141_-O-Lord-I-Call-to-You.mp3

    A jazz Psalm is out of the sweet spot of many congregations, but this might be a good place to start. A one-note refrain is paired with straightforward metrical verses. If I were leading this in a congregation, I’d likely have them sing that simple eight-measure phrase only, leaving the verses to a soloist until it became familiar.

    This leadsheet is a free download. If you sing this song in your church please report its use to CCLI or OneLicense.

  • Psalm 143: O Lord, Hear My Prayer

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    https://musicblog.gregscheer.com/wp-content/uploads/psalm_143.mp3

    One doesn’t usually associate jazz with responsorial Psalms. But as you can hear, this song has everything a good responsorial Psalm needs: a quickly learnable refrain, verses that can expand or contract to match the length of the text, and clear harmonic movement to support the chant. Give it a try!

  • Psalm 146: Praise the Lord!

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    https://musicblog.gregscheer.com/wp-content/uploads/psalm_146-praise_the_lord.mp3

    Charles Freeman wrote this text for Psalm 146, an exuberant Psalm of trust and praise. When I sat down at the piano to write the music, I immediately heard Black Gospel. I wanted this song to sit comfortably between Andraé Crouch’s “Bless the Lord” and James Moore’s “Taste and See.”

    This leadsheet is a free download. If you sing this song in your church, please report its use to CCLI or OneLicense.

  • Psalm 25: Foothold

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    [embed]https://musicblog.gregscheer.com/wp-content/uploads/foothold_COS_07.10.16.mp3[/embed]

    Debra Rienstra won the Fuller Seminary School of Psychology Fortieth Anniversary hymn competition with this hymn text based on Psalm 25. Originally paired with the hymntune KINGSFOLD, I wrote a new tune in a jazz ballad style that brings out the more prayerful, pleading, and melancholic aspects of the words.

  • Psalm 26: Upheld

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    https://musicblog.gregscheer.com/wp-content/uploads/psalm_026-upheld.mp3

    Many Psalms talk about God putting them on solid rock, but only Psalms 26 and 143 use the phrase “level ground.” It echoes the words of Isaiah 40: “Every valley shall be raised up, every mountain and hill made low; the rough ground shall become level, the rugged places a plain.” This image tells us that God is making a way, clearing a path for us.

  • Psalm 28: My God, the Rock

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    https://musicblog.gregscheer.com/wp-content/uploads/psalm_028-my_god_my_rock-sandy-1.mp3

    Kate Bluett follows the three-part prayer we find in Psalm 28, teasing out the image of God the Rock, as opposed to the stony silence of a god who doesn’t hear people’s prayers. I wrote two tunes for her text and simply couldn’t decide which I like better. The first tune (SANDY, sample above) is a jazzy melody that gives the song a mournful, prayerful character and brings out the pathos of Kate’s text. The other tune (ROCKY, sample below) is more rustic and forceful, which gives the song confidence in the midst of a trial.

    https://musicblog.gregscheer.com/wp-content/uploads/psalm_028-my_god_my_rock-rocky.mp3

  • Psalm 63: You Are My God

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    https://musicblog.gregscheer.com/wp-content/uploads/psalm_063-you_are_my_god.mp3

    Psalm 63 has a strong sense of longing throughout. Too often, our faith is fueled by duty, guilt, or habit. It is refreshing to hear the Psalmist expressing faith in such a passionate way. This song uses jazz’s rich harmonic vocabulary to portray Psalm 63’s intense emotions.

  • Thank You, Lord

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    [audio mp3="https://gregscheer.com/wp-content/uploads/2020/07/thank_you_lord-piano.mp3"][/audio]

     

    Like many Black Gospel songs, the beauty of this is that it focuses on one thing (thanksgiving) while allowing for lots of flexibility. The lead singer can improvise new verses in the moment (“Been so good,” “Saved my soul,” etc); the Just Add People! piano arrangement is equally flexible, with an optional modulation and chord symbols for guitar, bass, and other instruments.

    Piano accompaniment for congregational singing.

  • You Are the Resurrection

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    [audio mp3="https://gregscheer.com/wp-content/uploads/2020/04/you_are_the_resurrection.mp3"][/audio]

    “You Are the Resurrection” is an infectious Easter chorus in bossa nova style. It is part of the Red Crearte “Common Song for Easter” project, with composers from all over the world contributing songs.

    Feel free to dance along with the Simon, Theo, and me in the video below:

    PowerPoint slides for congregational singing are available from Digital Songs & Hymns.

    This leadsheet is a free download. If you sing this song in your church please report its use to CCLI or OneLicense.

Showing 13–21 of 21 results