Advent/Christmas (Arrangements)

Showing 13–16 of 16 results

  • Once in Royal David’s City (IRBY) – violin or cello

    $5.00     Select options

    https://musicblog.gregscheer.com/wp-content/uploads/once_in_royal.mp3

    This beloved Christmas carol arrangement was commissioned by violinist Sarah York. She needed a contemplative prelude for a Christmas service. In this arrangement, the familiar carol tune is passed back and forth between piano and violin (or cello), creating mesmerizing layers of echoed melody.

  • Ready My Heart

    $0.00 – $5.00     Select options

    I first heard “Ready My Heart” on Steve Bell’s CD Each Rare Moment a number of years ago and immediately fell in love with it. Lois Shuford has composed a unique Advent song, a devotional text in which we pray that our hearts would be prepared to cradle the coming Savior. Below is a video of Larry Figueroa and me introducing the song.

    https://www.youtube.com/watch?v=m3aMobSfosM

  • Savior of the Nations, Come (Nun Komm, Der Heiden Heiland) – string orchestra

    $35.00     Add to cart

    http://musicblog.gregscheer.com/savior_of_the_nations_baylor.mp3

    This theme and variations for string orchestra was commissioned by Carlos Colón for a 2017 Advent service at Baylor University. The stout hymn tune Nun Komm, Der Heiden Heiland is stated, then volleyed back and forth between different sections of the string orchestra. It could be used as a stand-alone concert piece or used as a prelude or instrumental selection in a worship setting. It is especially appropriate for Advent and Lessons and Carols services.

    Score and orchestral parts for violin 1+2, viola, cello, and bass. Purchase price allows you to print as many copies as you need for your ensemble.

  • The First Nowell

    $25.00     Add to cart
    [audio mp3="https://gregscheer.com/wp-content/uploads/2019/09/scheer-the_first_nowell.mp3"][/audio]

    “The First Nowell” is the quintessential Christmas carol and a classic folk tune, but too many arrangements fetter the flowing melody with four-part harmony. My approach is simple: let the melody sing itself and support it with an accompaniment that keeps things moving forward. After a brief string intro, it starts small–just guitar and solo voice–and then builds momentum over the song’s 6 verses.

Showing 13–16 of 16 results