• O God, Our Help, We Bless Your Name

    O God, Our Help, We Bless Your Name

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    [audio mp3="https://gregscheer.com/wp-content/uploads/2020/05/o_god_our_help_we_bless_your_name.mp3"][/audio]

    Based on a hymn text by Philip Doddridge, this tune sounds like it comes from the pages of Southern Harmony while the lyrics remind us that the seemingly insurmountable obstacles we see ahead of us will become occasions for praising God in the future.

  • O Holy Spirit, Come!

    O Holy Spirit, Come!

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    [audio mp3="https://gregscheer.com/wp-content/uploads/2020/01/o_holy_spirit_come-piano.mp3"][/audio]

    The verses of “O Holy Spirit, Come!” are based on “Veni Creator Spiritus,” a chant from the 10th century. I wrote a new translation of the 7 verse Latin text, created new harmonies, and added a refrain. In the end, the song spans some 11 centuries of singing to the Holy Spirit.

    This song was featured in a Reformed Worship article (March 2013 No.107, p18) and on the Cardiphonia compilation CD, Pentecost Songs.

  • O One with God the Father

    O One with God the Father

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    https://musicblog.gregscheer.com/wp-content/uploads/o_one_with_god_the_father.mp3

    William Walsham How is best known as the author of “For All the Saints,” but he wrote almost a hundred other hymns, including “O One with God the Father.” It is a powerful Epiphany text that begins with the theme of Colossians 1:15, “The Son is the image of the invisible God.” Surprisingly few hymns address the oneness of the Father and Son, so it is also appropriate when focusing on the theme “We believe in Jesus Christ his only Son” from the Apostles’ Creed.

    PowerPoint slides for congregational singing are available from Digital Songs and Hymns.

  • O One with God the Father

    O One with God the Father

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    http://musicblog.gregscheer.com/wp-content/uploads/o_one_with_god_the_father.mp3

    William Walsham How is best known as the author of “For All the Saints,” but he wrote almost a hundred other hymns, including this one: “O One with God the Father.” It is a powerful Epiphany text that begins with the theme of Colossians 1:15, “The Son is the image of the invisible God.” It continues by focusing on the light of Christ, praying that Christ’s light would dispel the darkness of our lives. This wonderful old text now has a fresh coat of (musical) paint!

  • PEEPS

    PEEPS

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    https://archive.gregscheer.com/sounds/PEEPS.mp3

    Chordal enough for a guitarist or worship band to play, but could also be led effectively at the organ. The tune is more or less modal, yet keeps sliding out of the mode’s center. What holds things together are the strong sequences that follow a subtle inner logic–they guide your voice to the next pitch even when you don’t understand why. It was originally written for Brian Wren’s text, “We Are Your People.”

    This is an orphan tune, waiting to be adopted by a text to call its own. If you write your own lyrics for this melody or pair it with an existing text, please let me know how you’ve used it.

  • PHIRE

    PHIRE

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    https://musicblog.gregscheer.com/filled_with_the_spirits_power.mp3

    “Filled with the Spirit’s Power” is a fine hymn text in search of the right tune. Traditionally, it has been paired with SHELDONIAN or FARLEY CASTLE. Both of these tunes are good but lack the zip needed to convey the text’s images of power, fire, joy, and wind. My new tune, PHIRE, is a joyous musical match.

    This is an orphan tune, waiting to be adopted by a text to call its own. If you write lyrics for this melody or pair it with an existing text, please report its use to CCLI or OneLicense and let me know how you’ve used it.

  • Psalm 108: O God, My Heart Is Ready

    Psalm 108: O God, My Heart Is Ready

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    https://musicblog.gregscheer.com/wp-content/uploads/psalm_108-o_god_my_heart_is_ready_1.mp3

    Kate Bluett has a knack for writing hymns that are fresh and insightful, yet draw a worshiper’s attention to the subject rather than the words. Her rendering of Psalm 108 captures the hope and confidence of this morning prayer perfectly. The music matches her words with a melody that leaps and dives like a brisk ride through a hilly landscape at sunrise.

    This leadsheet is a free download. If you sing this song in your church, please report its use to CCLI or OneLicense.

  • Psalm 132: Arise, O King of Grace, Arise (O Savior, Come)

    Psalm 132: Arise, O King of Grace, Arise (O Savior, Come)

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    [audio mp3="https://gregscheer.com/wp-content/uploads/2020/12/psalm_132-o_savior_come.mp3"][/audio]

    Psalm 132 is not only one of the Psalms of Ascent, it is also one of the lectionary Psalms used in Advent. Isaac Watts teases out Christological imagery from the Psalm in a way that makes it a perfect Advent song, especially paired with the chorus, “O Savior Come.” However, it is not so Advent-specific that it can’t be used throughout the year, especially on Christ the King Sunday.

    PowerPoint slides for congregational singing are available from Digital Songs & Hymns.

  • Psalm 20: Blessing

    Psalm 20: Blessing

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    https://musicblog.gregscheer.com/wp-content/uploads/bluett-psalm_2-blessing.mp3

    Kate Bluett’s beautiful rendering of Psalm 20 is simply called “Blessing.” She has recast the language of the Psalm in a way that speaks powerfully into our own context. For example, “Some trust in chariots and some in horses” becomes “Some trust in arms and some in power.” In my estimation, this is exactly the kind of “transplanting” that should take place in modern Psalm songs.

  • Psalm 57: The Thunder's Rage Is Roaring

    Psalm 57: The Thunder’s Rage Is Roaring

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    [audio mp3="https://gregscheer.com/wp-content/uploads/2021/02/bluett-psalm_57.mp3"][/audio]

    Lyricist Kate Bluett does a great job of capturing a difficult Psalm. The first verse teases out the storm imagery that accompanies the famous “I will take refuge in the shadow of your wings.” The second verse focuses on the Psalmist’s foes who are laying traps. The third verse not only includes the beautiful “I will awaken the dawn with singing” of the original Psalm but concludes with the point that the temporary terrors of the night are momentary, whereas God’s love never ends.

    This song is mentioned in Greg’s podcast, “2021 Musical Year in Review.

    This leadsheet is a free download. If you sing this song in your church please report its use to CCLI or OneLicense.