Showing 61–72 of 97 results
Psalm 3 is traditionally associated with King David as he fled from his son Absalom. Whether or not the Psalm was actually written while David fled for his life during a revolt, the Psalm is certainly full of fears and anxieties–with a side order of vengeance. But more than that, the Psalm is full of trust. Even though all hell is breaking loose, the Psalmist talks about going to bed: “I lie down and sleep; I wake again, for the Lord sustains me. I am not afraid…”
In this setting of Psalm 3, “I shall rest in peace” becomes a repeated refrain throughout. “Rest” not only indicates peaceful sleep but “rest in peace” is a euphemism for death. It seems to me that many people who might read Psalm 3 or sing this song may be fighting the enemy of disease, age, or death itself. Even in death, we can rest in the Lord.
This leadsheet is a free download. If you sing this song in your church please report its use to CCLI or OneLicense.
The joyous leaps at the beginning of the song underline the exuberance of Michael Morgan’s version of Psalm 30. But each verse also contains a prayer; at this point, the harmonies turn to a minor key and a lower range, slowly rising from lament until they conclude with newfound joy.
This hymn is a free download. If you sing this song in your church please report its use to CCLI or OneLicense.
https://musicblog.gregscheer.com/kimbrough_psalm31.mp3
Wendell Kimbrough’s setting of Psalm 31 is simple, but also profound, translating the desperate prayer of the Psalm into fresh language that sings well. I have written an SATB version, a choral descant, and a flute descant.
Psalm 33 is a songwriter’s dream: it commands us to sing a new song, mentions a variety of instruments, and admonishes us to play skillfully. This bright, joyous song helps us do just that while also allowing us to follow the Psalmist into themes of creation, judgment, power, and trust.
This leadsheet is a free download. If you sing this song in your church please report its use to CCLI or OneLicense.
Psalm 37 is an acrostic Psalm with 22 sections built on each letter of the Hebrew alphabet. This musical setting follows that pattern, with 22 connected “songlets.” The last four measures of each songlet can be sung in counterpoint to the first four measures of the next songlet, creating a 22-link musical chain. It sounds complicated and esoteric; just take a listen to the MP3 demo and everything will make sense!
This leadsheet is a free download. If you sing this song in your church please report its use to CCLI or OneLicense. Download includes side-by-side Scripture and lyrics.
Psalm 4 is the lament of someone whose honor has been impugned. You can hear the theme of shame and honor recurring throughout. Ultimately, though, the Psalmist chooses to rest in the Lord. It reminds me of what Richard Foster says in The Celebration of Discipline—I believe in the section on silence—about not speaking in defense of yourself, but simply allowing your reputation to stand on its own. This lack of control is frightening, especially when your name is at stake, but ultimately we can’t control what others think of us. In this song, the lyrics and music turn the Psalm from an indignant defense (“Break their teeth, O Lord”) into a quiet prayer in the night.
This meditative rendering of Psalm 40 won the 2017 Church of the Servant New Psalm Contest. You can read the whole story below.
https://musicblog.gregscheer.com/wp-content/uploads/psalm_44-for_your_mercys_sake.mp3
Lyricist T.L. (Tammy) Moody has a knack for finding fresh ways to express herself, or in this case express Psalm 44’s anguished cry for help of the original Psalm: “Awake, O Lord!” The Psalm is full of unresolved questions; similarly, the song’s harmonies remain unsettled throughout.
This hymn is a free download. If you sing this song in your church please report its use to CCLI or OneLicense.
Psalm 46 offers comfort and hope in times of trouble. It doesn’t promise that we won’t experience hardship, but that God will be with us in those times.
In Martin Luther’s famous setting of Psalm 46, “A Mighty Fortress,” he focused on themes of strength and battle. In my setting, I highlight the Psalm’s images of God as a refuge–God’s stable presence among us in a chaotic world–concluding each verse with an affirmation of hope: “The Lord of all is with us.”
This song is something of an homage to the Reformation. It is based on the same Psalm as Luther’s great “A Mighty Fortress” and can, in fact, be sung to that hymn’s tune. My tune uses a mixed meter like many Lutheran and Reformed tunes. The 2+2+3+3 pulse makes the hymn more challenging than most. If you’re up for the challenge, use a hand drum to keep the beat steady. If you’re not up to the challenge, try my song “O Lord of All, You Are Our Home,” which uses the same text set to a simpler tune.
Mount Zion has a special significance to the author of Psalm 48 because it is the location of the holy city Jerusalem, the palaces of Israel’s king, and the temple of Yahweh. Just as God dwelled in Zion for the Israelites, the Church of Christ should be “a city on a hill”–a holy place that is set apart for God that allows the light of the Spirit to shine. Or as Jesus says in Matthew 5:14, “You are the light of the world. A city on a hill cannot be hidden.”
My setting of Psalm 5, “Hear My Words, O God” is composed for two narrators and congregational refrain. It appears as Psalm 5C in the Psalms for All Seasons hymnal, but if you want the un-squished piano music and choral parts you hear on this recording you’ll only find it here. The above recording is just a rough read-through by the Choral Scholars which doesn’t include the scripture reading. The narration allows the whole Psalm to be heard and allows the multiple voices of the original text to come through, as you can hear from the live worship recording below.
[embed]http://musicblog.gregscheer.com/psalm_5_hear_my_words.mp3[/embed]Showing 61–72 of 97 results
