This simple, reflective communion song focuses on the way Jesus feeds our hearts at the table. The congregational version of the song includes a piano part and has the option of three keys with modulations: C, D and F. Though your congregation will pick up the tune in no time, you may want to consider introducing it with the arrangement for SATB Choir and Piano.
PowerPoint slides for congregational singing are available from Digital Songs & Hymns.
This aria is taken from a cantata based on Psalm 113 and premiered at the 100 year anniversary of the Hermsdorfer Kirche in the former East Germany. “From there, where the sun rises, to the place where it sets — everywhere — the Lord of lords is praised!”
Anthem for Alto solo and Piano/Organ. Purchase price allows you to make as many copies as you need for your ensemble.
This upbeat barbershop quartet is sure to be a favorite with any congregation. If you have four men in your choir that have a flair for tight harmonies and syncopated rhythms, give the women in your choir the week off and treat them to this piece!
Choral Anthem for TTBB. Purchase price allows you to make as many copies as you need for your choir.
Charles Wesley’s hymn “Jesus, Lover of My Soul” is a timeless text that has been forever in search of a timeless tune. This choral setting brings out the pathos of the text, an urgent prayer in time of need. The anthem is scored for SATB Choir and Piano and can be purchased from GIA Music.
I love this hymn so much that I included it in an episode of the Greg Scheer Music Podcast as well as a Lent hymn series that explored a different musical setting of “Jesus, Lover of My Soul” every week.
Most Christmas songs are all joy and confidence: Shepherds overwhelmed by angelic songs; Wisemen led by navigational stars. But if your life is at all like mine, those moments are rare. Instead, life is often accompanied by a soundtrack of doubt, missteps, and loss. “Jesus, Be Enough” asks the question: Is Jesus a sufficient gift even when Christmas miracles don’t occur? Will we trust God even when our prayers seem to go unanswered? It is a Christmas carol for the rest of us. [Above is a demo of the choral anthem and below is a version with guitar and cello.]
The verses of this song celebrate the crucifixion, burial, resurrection, and return of Christ–each being a reason to sing “Let His Name Be Lifted Up” in the chorus!
This hymn makes the perfect bookends for a service: verse one is a call to worship and verse two is a call to service. It is written in four-parts and sounds beautiful sung by a cappella choir.
This hymnis a free download. If you sing this song in your church please report its use to CCLI or OneLicense.
What started its life as a hymn of unity based on Ephesians 4 soon became an anthem for SATB Choir, Organ, and Brass, commissioned by River Road Presbyterian Church in honor of their retiring music direction, and my friend, Larry Heath.
PowerPoint slides for congregational singing are available from Digital Songs & Hymns.
This short, four-part benediction from Philippians 4:7 connects to Psalm 4. It could be used as a coda to my Psalm 4 song “I Rest in You” or sung as a choral benediction at the end of a worship service.
This hymn is a free download. If you sing this song in your church please report its use to CCLI or OneLicense.
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The O Antiphons have been sung for centuries during Advent. Each of the seven Latin verses begins with “O,” and then addresses the coming Savior with a title: “O Wisdom,” “O Root of Jesse,” etc. The O Antiphons are most widely known as the hymn “O Come, O Come, Emmanuel.”
This new translation and musical setting can be sung as a hymn or can be expanded to a seven-movement service that includes choir, piano, and a small instrumental ensemble. This video shows the latter.
