Winds

Showing 1–12 of 19 results

  • A Mark of Grace

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    [audio mp3="https://gregscheer.com/wp-content/uploads/2019/08/coslc-mark_of_grace.mp3"][/audio]

    Written to accompany Neal Plantinga’s sermon on Cain and Abel (Genesis 4:1-6) at the 2010 Calvin Worship Symposium and then revamped as a choral anthem for the first Lessons & Carols reading (Genesis 3:8-15), “A Mark of Grace” tells the whole human story–creation, fall and redemption–in the form of a lyrical ballad. You could say it’s a meditative musical meta-narrative.

  • DIX (For the Beauty of the Earth) – instrumental introduction

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    https://musicblog.gregscheer.com/dix_psalm_67.mp3

    A simple orchestral introduction to the hymn tune DIX, adaptable to any four-part ensemble. DIX is most often used with the texts “For the Beauty of the Earth” and “As with Gladness Men of Old.” (This is a different arrangement from the Just Add People product for the same tune. Find that piano arrangement here.)

    Four-part instrumental arrangement, with parts for instruments in C, Bb, Eb, and F.

  • Hosanna in the Highest (The King of Glory)

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    https://musicblog.gregscheer.com/scheer-hosanna_in_the_highest.mp3

    You can almost imagine Jesus coming closer as this song progresses: The verses begin with prophecies of the Messiah with which the crowd would have been familiar (Ps 24, Is 40) and the people answer with the Palm Sunday refrain of “Hosanna in the highest!” It uses the familiar Jewish folk tune (“The King of Glory Comes”), which your congregation likely already knows.

  • Jesus, Be Enough

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    [audio mp3="https://gregscheer.com/wp-content/uploads/2019/11/jesus_be_enough-choir.mp3"][/audio]

    Most Christmas songs are all joy and confidence: Shepherds overwhelmed by angelic songs; Wisemen led by navigational stars. But if your life is at all like mine, those moments are rare. Instead, life is often accompanied by a soundtrack of doubt, missteps, and loss. “Jesus, Be Enough” asks the question: Is Jesus a sufficient gift even when Christmas miracles don’t occur? Will we trust God even when our prayers seem to go unanswered? It is a Christmas carol for the rest of us. [Above is a demo of the choral anthem and below is a version with guitar and cello.]

    [audio mp3="https://gregscheer.com/wp-content/uploads/2019/11/jesus_be_enough.mp3"][/audio]
  • Let His Name Be Lifted Up

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    [audio mp3="https://gregscheer.com/wp-content/uploads/2019/12/let_his_name-1.mp3"][/audio]

    The verses of this song celebrate the crucifixion, burial, resurrection, and return of Christ–each being a reason to sing “Let His Name Be Lifted Up” in the chorus!

  • Maybe the Rain

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    [audio mp3="https://gregscheer.com/wp-content/uploads/2019/12/maybe_the_rain.mp3"][/audio]

    Celebrating its 20th anniversary, this song was written for Bellefield Presbyterian Church’s pianist, Jeff Stehle. The lyrics remind us that the “rain” we experience in our lives may be exactly what is needed for us to grow–an idea which took on new meaning when Jeff was diagnosed with cancer. Though he’s in remission, I’d ask that you would say a quick prayer on his behalf when you play this song-just think of it as royalties paid in prayers!

    An arrangement for solo voice and piano is published by Augsburg Fortress in With All My Heart, vol. 2 and an arrangement for SAB choir and flute appears in Augsburg Fortress collection Wade in the Water: Easy Choral Music for All Ages.

    This leadsheet is a free download. If you sing this song in your church please report its use to CCLI or OneLicense.

  • O Lord, May Your Kingdom Come

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    https://musicblog.gregscheer.com/sarwar-isaiah11.mp3

    This song is an East/West collaboration between Pakistani Eric Sarwar and me. Eric wrote the music based on the shiv ranjni raga and I wrote the text based on Isaiah 11. It is a beautiful statement of longing for God’s promised Kingdom, which at times we can almost taste and other times seems very far off.

    Anthem for SATB choir, percussion, and strings. Purchase price allows you to print as many copies as you need for your ensemble.

  • One Generation Will Call to the Next

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    [audio mp3="https://gregscheer.com/wp-content/uploads/2019/10/tsang-one_generation.mp3"][/audio]

    Looking for a song to celebrate and encourage intergenerational worship? This setting of Psalm 145:1-7 was one of the winning songs of the CRC sesquicentennial hymn contest. Since then it has been included in three hymnals, recorded on a CD, sung at weddings, and used as a theme song for church dedications and education programs. One young person said this: I love this song. It has given me greater understanding of what a healthy church and Godly community looks like and has inspired me to be open to learning from the “last” generation.

    [audio mp3="https://gregscheer.com/wp-content/uploads/2019/10/one_generation-gen2gen.mp3"][/audio]

    A leadsheet is available here. For piano accompaniment or a festive choral anthem, visit GIA: https://www.giamusic.com/store/resource/one-generation-will-call-to-the-next-print-g9804. The choral anthem is extremely flexible, with options for solo, children’s choir, worship band, and full orchestra. (See instrumentation chart below).

    PowerPoint slides for congregational singing are available from Digital Songs & Hymns.

  • Psalm 104: Oh, Rejoice in All Your Works

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    https://musicblog.gregscheer.com/kimbrough-psalm_104.mp3

    Wendell Kimbrough’s setting of Psalm 104 won the COS New Psalm Contest in 2014. Since then, I’ve arranged this song for strings, brass, and choir. These arrangements bring out a whole new majestic side to the song.

  • Psalm 31: In You, Lord, I Refuge Take

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    https://musicblog.gregscheer.com/kimbrough_psalm31.mp3

    Wendell Kimbrough’s setting of Psalm 31 is simple, but also profound, translating the desperate prayer of the Psalm into fresh language that sings well. I have written an SATB version, a choral descant, and a flute descant.

  • Psalm 4: I Rest in You

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    [embed]http://musicblog.gregscheer.com/psalm_004-i_rest_in_you.mp3[/embed]

    Psalm 4 is the lament of someone whose honor has been impugned. You can hear the theme of shame and honor recurring throughout. Ultimately, though, the Psalmist chooses to rest in the Lord. It reminds me of what Richard Foster says in The Celebration of Discipline—I believe in the section on silence—about not speaking in defense of yourself, but simply allowing your reputation to stand on its own. This lack of control is frightening, especially when your name is at stake, but ultimately we can’t control what others think of us. In this song, the lyrics and music turn the Psalm from an indignant defense (“Break their teeth, O Lord”) into a quiet prayer in the night. 

  • Psalm 40: Patiently

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    [embed]http://musicblog.gregscheer.com/wp-content/uploads/patiently_COS.mp3[/embed]

    This meditative rendering of Psalm 40 won the 2017 Church of the Servant New Psalm Contest. You can read the whole story below.

Showing 1–12 of 19 results