Piano

Showing 85–96 of 106 results

  • Psalm 80: Restore Us, O God!

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    http://musicblog.gregscheer.com/restore_us_guitarchestra.mp3

    Eugene Peterson argues that we sanitize the Psalms. His Bible translation, The Message, attempted to restore some of the grittiness of the original Hebrew. If this is true in Bible translation, it’s even more true in the way we sing the Psalms–we edit out the difficult verses and sing the rest very piously. “Restore Us, O God!” has a folk music (almost Klezmer) feel that brings out the urgency of Psalm 80’s lament.

     

  • Psalm 81: Sing to God Our Strength

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    https://musicblog.gregscheer.com/Ps081-sing_to_god.mp3

    Psalm 81 should be sung more often. In this song, the Psalm’s opening music images take center stage and the more Israel-specific latter verses are recast in a way that modern worshipers can sing them authentically. The song can be sung in both a pop/praise style and as more of a straight hymn, like it is in the demo above. If you’re interested in reading an article that includes this hymn, visit Call to Worship.

  • Psalm 82: Gathered in the Judgment Hall

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    http://musicblog.gregscheer.com/psalm_82-gathered_COS.mp3

    Psalm 82 is fascinating. While it could be understood as an indictment of unjust people, in actuality, it appears to be a judgment against the high council of gods. Who are these “gods” over which God holds court? In the Psalmist’s time, it would have likely referred to the pantheon of gods who were believed to oversee weather, oceans, fertility, and every other aspect of life. I don’t think it would be inappropriate to recast these gods for modern times as “The Man”: The powers that be. The principalities. The forces (inequity, fear, racism, etc) that seem to control our world on some higher, untouchable plane. However, just like in the Psalmist’s time, these gods of our time are not, in fact, untouchable. They bow to the Almighty God.

  • Psalm 98: Sing to the Lord a New Song

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    [audio mp3="https://gregscheer.com/wp-content/uploads/2020/01/sing_to_the_lord.mp3"][/audio]

    It seems like everyone has their own version of Psalm 98, but each generation needs a “new song” so I make no apologies for adding my voice to the fray! This song was chosen to be sung at COLAM 1999 (Conference on Liturgy and Music) at Dordt College as part of the Composition Competition.

  • Ready My Heart

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    I first heard “Ready My Heart” on Steve Bell’s CD Each Rare Moment a number of years ago and immediately fell in love with it. Lois Shuford has composed a unique Advent song, a devotional text in which we pray that our hearts would be prepared to cradle the coming Savior. Below is a video of Larry Figueroa and me introducing the song.

    https://www.youtube.com/watch?v=m3aMobSfosM

  • Renew Us, O God

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    http://musicblog.gregscheer.com/renew_us_o_god.mp3

    This song was commissioned for the World Communion of Reformed Churches 2017 General Council. It takes the council’s theme (“transformed and transforming; renewed and renewing”) and puts it in prayer form: “Renew us, O God.” This prayer serves as a refrain that can be sung joyfully, as on the recording, or introspectively, like a Taizé chorus.

    An Indonesian translation by Ivan Santoso is also available for download.

  • Somos uno en Cristo/We’re One People

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    [audio mp3="https://gregscheer.com/wp-content/uploads/2020/07/somos_uno_en_cristo-were_one_people.mp3"][/audio]

    This Latin American corito is based on Ephesians 4:4-6, which speaks of the unity of the Body of Christ. With a brand new arrangement and fresh translation, this will quickly become a heart song.

  • Speak Sabbath O’er My Soul

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    [audio mp3="https://gregscheer.com/wp-content/uploads/2020/09/moody-speak_sabbath.mp3"][/audio]

    With echoes of Sibelius’ “Be Still My Soul,” “Speak Sabbath O’er My Soul” positions Sabbath as something life-giving that God does for us rather than a teeth-gritting discipline we do for God.

    Piano accompaniment with SATB voice parts

  • Thank You, Lord

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    [audio mp3="https://gregscheer.com/wp-content/uploads/2020/07/thank_you_lord-piano.mp3"][/audio]

     

    Like many Black Gospel songs, the beauty of this is that it focuses on one thing (thanksgiving) while allowing for lots of flexibility. The lead singer can improvise new verses in the moment (“Been so good,” “Saved my soul,” etc); the Just Add People! piano arrangement is equally flexible, with an optional modulation and chord symbols for guitar, bass, and other instruments.

    Piano accompaniment for congregational singing.

  • The First Nowell

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    [audio mp3="https://gregscheer.com/wp-content/uploads/2019/09/scheer-the_first_nowell.mp3"][/audio]

    “The First Nowell” is the quintessential Christmas carol and a classic folk tune, but too many arrangements fetter the flowing melody with four-part harmony. My approach is simple: let the melody sing itself and support it with an accompaniment that keeps things moving forward. After a brief string intro, it starts small–just guitar and solo voice–and then builds momentum over the song’s 6 verses.

  • The God of Abraham Praise (LEONI) – chamber/full orchestra

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    [audio mp3="https://gregscheer.com/wp-content/uploads/2021/06/calvin_orch-the_god_of_abraham.mp3"][/audio]

    This arrangement was first written for chamber orchestra for a Lessons & Carols service, then commissioned for full orchestra by the Calvin College Orchestra and their director, Robert Nordling. The recording above is from the Calvin Orchestra’s premiere of the full orchestra version on March 5, 2011.

  • The King of Glory Comes (KING OF GLORY)

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    https://musicblog.gregscheer.com/scheer-hosanna_in_the_highest.mp3

    This arrangement of THE KING OF GLORY COMES works with the familiar text by Willard F. Jabusch as well as Greg’s Palm Sunday text, “Hosanna in the Highest.” Optional flute descants add to the Klezmer feel of this rhythmic tune.

    Arrangements for strings and brass are also available with the alternate text.

Showing 85–96 of 106 results