Piano

Showing 85–96 of 115 results

  • Psalm 5: Hear My Words, O Lord

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    [embed]http://musicblog.gregscheer.com/Ps005-hear_my_words.mp3[/embed]

    My setting of Psalm 5, “Hear My Words, O God” is composed for two narrators and congregational refrain.  It appears as Psalm 5C in the Psalms for All Seasons hymnal, but if you want the un-squished piano music and choral parts you hear on this recording you’ll only find it here. The above recording is just a rough read-through by the Choral Scholars which doesn’t include the scripture reading. The narration allows the whole Psalm to be heard and allows the multiple voices of the original text to come through, as you can hear from the live worship recording below.

    [embed]http://musicblog.gregscheer.com/psalm_5_hear_my_words.mp3[/embed]
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    Psalm 53: Fools Deny Their God within Them

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    [audio mp3="https://gregscheer.com/wp-content/uploads/2020/12/psalm_053-carlill-fools_deny.mp3"][/audio]

    Adam Carlill’s metrical rendering of Psalm 53, from his excellent Psalms for the Common Era, retains the Psalm’s difficult themes but uses language that allows us to enter into them more easily. My tune accompanies the text with a Baroque-flavor that is off the beaten path, but still accessible, with a simple melody surrounded by harmonies and a bass line that scurry to and fro with all the fury of Psalm 53’s evildoers. The final half verse shifts to a major key, letting the accusations and anger of the previous verses give way to a final note of hope.

    Sheet music for voice and piano.

  • Psalm 55: Oh, That I Had Wings

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    [embed]http://musicblog.gregscheer.com/psalm_055-oh_that_i_had_wings.mp3[/embed]

    Psalm 55 is the plea of someone who has been betrayed and attacked by a former friend. Understandably, the Psalmist wants to beat a hasty retreat: “Oh, that I had the wings of a dove! I would fly away and be at rest.” Given the urgency of the Psalm, I wrote a tune that comes in short, breathless bursts, with harmonic twists and turns.

  • Psalm 61: Lead Me to the Rock

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    [audio mp3="https://gregscheer.com/wp-content/uploads/2020/08/lead_me_to_the_rock.mp3"][/audio]

    Psalm 61 is both a cry for help and an affirmation of trust. This song tries to capture both expressions with its minor-key verse and its major-key chorus. These two demos model the song in two different styles: above is a driving rhythm for worship band and below is more hymn-style using the written piano accompaniment.

    [embed]https://musicblog.gregscheer.com/Ps%20061%20Lead%20Me%20to%20the%20Rock.mp3[/embed]

     

  • Psalm 62: Only God Can Save Me Now

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    https://musicblog.gregscheer.com/wp-content/uploads/psalm_062-only_god.mp3

    Psalm 62 famously begins with the words, “My soul finds rest in God alone; my salvation comes from him.” The Psalmist goes on to describe the many difficulties experienced in life–those who are attacking or extorting money–always coming back to the refrain, “My soul finds rest in God alone.” Scottish lyricist, Doug Gay, has given these words an introspective feel in his setting of the Psalm. They could almost be sung by a victim of abuse, crying to God for help. That’s the thing about the Psalms: they give words to things we may have not experienced, which may make us feel like we don’t need them–until we do.

  • Psalm 65: We Praise You, God, in Silence and Singing

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    https://musicblog.gregscheer.com/wp-content/uploads/psalm_065-rehearsal.mp3

    Bethany Cok and Josh Parks asked me to compose music for their wedding, and they chose Psalm 65 as the song’s text. It was a great choice: Psalm 65 is a Psalm of thanksgiving that was likely written for one of the harvest festivals; its focus on entering God’s house, keeping vows, and God’s blessing make it a beautiful fit for a wedding.

    This song is mentioned in Greg’s podcast, “Thanksgiving Brainstorms.”

    Score and parts for piano, voice, violins, viola, and cello. Purchase price allows you to print as many copies as you need for your ensemble.

  • Psalm 78: People Of The Lord

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    [audio mp3="https://gregscheer.com/wp-content/uploads/2019/07/people_of_the_lord-cantor_and_choir.mp3"][/audio]

    Who would have thought that a Genevan Psalter-style setting of Psalm 78 in 7/8 time would become my biggest hit? After it won the Calvin09 hymn contest, the song was translated into a half dozen languages and sung from Switzerland to Brazil. It is included in a number hymnals, including the Presbyterian Glory to God and CRC/RCA Lift Up Your Hearts. Your church can get in on the fun, too, by downloading the music here at www.gregscheer.com.

    Read the whole story of the song here: People of the Lord

  • Psalm 80: Restore Us, O God!

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    http://musicblog.gregscheer.com/restore_us_guitarchestra.mp3

    Eugene Peterson argues that we sanitize the Psalms. His Bible translation, The Message, attempted to restore some of the grittiness of the original Hebrew. If this is true in Bible translation, it’s even more true in the way we sing the Psalms–we edit out the difficult verses and sing the rest very piously. “Restore Us, O God!” has a folk music (almost Klezmer) feel that brings out the urgency of Psalm 80’s lament.

     

  • Psalm 81: Sing to God Our Strength

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    https://musicblog.gregscheer.com/Ps081-sing_to_god.mp3

    Psalm 81 should be sung more often. In this song, the Psalm’s opening music images take center stage and the more Israel-specific latter verses are recast in a way that modern worshipers can sing them authentically. The song can be sung in both a pop/praise style and as more of a straight hymn, like it is in the demo above. If you’re interested in reading an article that includes this hymn, visit Call to Worship.

  • Psalm 82: Gathered in the Judgment Hall

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    http://musicblog.gregscheer.com/psalm_82-gathered_COS.mp3

    Psalm 82 is fascinating. While it could be understood as an indictment of unjust people, in actuality, it appears to be a judgment against the high council of gods. Who are these “gods” over which God holds court? In the Psalmist’s time, it would have likely referred to the pantheon of gods who were believed to oversee weather, oceans, fertility, and every other aspect of life. I don’t think it would be inappropriate to recast these gods for modern times as “The Man”: The powers that be. The principalities. The forces (inequity, fear, racism, etc) that seem to control our world on some higher, untouchable plane. However, just like in the Psalmist’s time, these gods of our time are not, in fact, untouchable. They bow to the Almighty God.

  • Psalm 84: Blessed Beyond Measure

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    [embed]http://musicblog.gregscheer.com/wp-content/uploads/psalm084-blessed_-beyond_measure.mp3[/embed]

    Trinity Lutheran Church in Owatonna, MN commissioned this song and choral anthem for their centennial celebration. Their choice of Psalm 84 is perfect for such an event: the Psalm is full of wide-eyed wonder about God’s temple, but also trust in God’s presence on the journey of life. What a beautiful theme for a church that has journeyed for 100 years and is looking to its future!

    The song is what I often call a “blender.” That is, a song that can live comfortably in both traditional and contemporary settings: think “In Christ Alone,” “There Is a Redeemer,” etc. This demo leans toward the contemporary with guitars and drums, but the choral arrangement leans more traditional. Ultimately, I think it will be right at home in both Trinity’s weekly traditional and contemporary services.

  • Psalm 98: Sing to the Lord a New Song

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    [audio mp3="https://gregscheer.com/wp-content/uploads/2020/01/sing_to_the_lord.mp3"][/audio]

    It seems like everyone has their own version of Psalm 98, but each generation needs a “new song” so I make no apologies for adding my voice to the fray! This song was chosen to be sung at COLAM 1999 (Conference on Liturgy and Music) at Dordt College as part of the Composition Competition.

Showing 85–96 of 115 results